If amazingly few people have noticed the escalating intellectual deterioration of WBAI's program content, it is because amazingly few people care, and even fewer are bothering to tune in.
If you tell that to the stagnant amateurs who spew the rubbish that litters the broadcast schedule, they will simply accuse you of having a death wish for the station.
Besides the out and out racist attitude that colors what some pass off as "community" radio, the station airs an abundance of psychotic pitter patter aimed at those for whom attempts at serious thought are strenuous. The queen of this questionable genre is the curator of the Knight Mausoleum, Kathy Davis, who—from all indications—is part of a growing entrepreneurial trend that feeds on WBAI's free advertisement.
I plan to use this post as a board upon which to pin the occasional program fragment of interest. Normally, I will leave these soundbites intact, although possibly remove or render useless a phone number, but I did have some 'un with the following:
Besides the out and out racist attitude that colors what some pass off as "community" radio, the station airs an abundance of psychotic pitter patter aimed at those for whom attempts at serious thought are strenuous. The queen of this questionable genre is the curator of the Knight Mausoleum, Kathy Davis, who—from all indications—is part of a growing entrepreneurial trend that feeds on WBAI's free advertisement.
I plan to use this post as a board upon which to pin the occasional program fragment of interest. Normally, I will leave these soundbites intact, although possibly remove or render useless a phone number, but I did have some 'un with the following:
BUT WAIT! THERE'S MORE.....
Although they would wish it to be a well-guarded secret, it does not take a PhD to detect that WBAI's host/producers count among them individuals who abuse their on-air privileges for personal profit. Granted, some of these deals don't amount to a hill of beans, but others do quite well, and there is the matter of law and principles.
Although they would wish it to be a well-guarded secret, it does not take a PhD to detect that WBAI's host/producers count among them individuals who abuse their on-air privileges for personal profit. Granted, some of these deals don't amount to a hill of beans, but others do quite well, and there is the matter of law and principles.
Madame Davis is pretty transparent with her workshops, but she is by no means alone in offering off-the-air consultation—remember that numerologist guy? We also have to view Jeannie Hopper's parties and boat rides with a soupçon of suspicion, and let us not forget the hidden profits reaped through free radio advertising, or those that are woven into the complex "premium" patches.
I have long suspected Daulton Anderson's playlist to be an indication of money manna, a sort of heavenly payola. Why else would he play the same inferior recordings on every program, following each one up with an orgiastic "my, my my"? After all, there have been thousands of black gospel recordings made since Thomas A. Dorsey became a publisher of that genre. Anderson could stay on WBAI's air around the clock (perish the thought) and never have to repeat a single spin. Notice, too, that the recordings he pushes are not on known commercial labels, but rather products of the various pastors and churches his program regularly plugs.
This morning, we heard Daulton Anderson give a rather heavy commercial push to The Glory of God Christian Center's upcoming church convention at the Nassau Coliseum. Tickets range from $55 to $130, but this exchange, which almost morphs into a comedy routine, only mentions where and how they can be obtained. There is, of course, method in AnderZon's madness, for he is one of this event's MCs. While I doubt that he is doing this sans a fee, bear in mind that WBAI does not get a penny out of it. So, you tell me if you don't think this unadulterated audio clip is another shameless commercial.